Shania Twain leaves Glastonbury much impressed

“Caps off you Glastonbury,” says Shania Twain, surveying the sea of ​​people — many of whom are unexpectedly wearing rancher caps.
“I feel and I see your help. Thanks so much for having me.”
Hardly any craftsman has so fully embraced the legends space required by Glastonbury at any point.
The star has been flaunting her looks for quite some time now.
Apart from the fact that he expressed his desire to ride a horse in celebration, he nevertheless persuaded the eccentric Western Railroads to sell a portion of their rolling stock as “Shaniya Trains”. Rebrand by name.
On Saturday, he warmed up by visiting the lauded ranch (“It’s a whole town”, he marveled) and surprisingly asked Friday night’s main event Dua Lipa for a few tips. Surrounded.
Unfortunately, the celebration upset his arrangements to set up a stand on the Pyramid Stage – but he showed up in style anyway.
The 58-year-old was paraded in front of the audience by two cross-dressers and six performers, including six spectacular shadowy entertainment ponies.

Burning in no time, he launched straight into possibly his biggest hit, That Don’t Intrigue Me Much.
As the crowd joined in on his scientific genius and banter with Brad Pitt and the men who owned the car, the atmosphere was electric.
The tween looked fantastic, complete with a rhinestone-encrusted rancher cap, a pair of safe-distance gloves and a dark mini-dress, complete with a flowing pink veil that she rocked with a camp getaway.
“It’s amazing, the way I can see everybody, everything, every single flag,” she said.
“I’m seeing a lot of peasant covers and jaguar print… other than that it’s pretty special.”
After this uneventful start, the energy dropped a bit.
The group was not as familiar with the following two tunes, Don’t Be Dumb (You Realize I Love You and You Win My Worship).
Also, on Saturday as Snydy Lauper, Twain appeared to be bothered by her earpiece.
However, when his voice warmed up, that stupid nation twang came unstoppable and clear. His throat was a bit dry and scratchy at this point (Glastonbury is really dusty this year) yet the tilt was still there.

Twain’s reservation was a dash of virtuoso in a year where the nation doo-si-do’d its way up the charts with Beyoncé’s cattle rustler Carter, Kacey Musgraves’ More Profound Well and Shaboozey’s mighty bar tune (Plastered).
During the 1990s, Twain was one of the first “hybrid” stars of the class, effectively combining the narrative history of Nashville with the grandiose language of arena rock.
Her follow-up collection, The Lady In Me, went multi-times platinum. Progress, 1997’s Come On End, sold more than 40 million copies, thanks to its catchy hymns like Man. I Feel Like A Lady and the uber melody You are still the One and
The latter option was the opening feature of his Glastonbury set. Crouching down with an acoustic guitar, Twain requested that the crowd sing the chorale with him.
“Usually my shows are in the evening and I can see your responses near the stage. Still, [today] I can see everybody, in the back, right up to the tents,” she said.
“I can see you all things considered, however I need to hear you back as well.”
At this point when she played harmonies, the crowd almost overwhelmed her.
It was another spine-tingling one.

Frickin’ amazing

Ahead of the show, the 58-year-old said she was somewhat “overwhelmed” in following the footsteps of Kurt Parton, Diana Ross and Kenny Rogers in their search for a spot on Sunday evening’s Legends.
“They’re people that I look up to as musical legends and they’ve had a big influence on my own career, so it’s strange to welcome them back,” she told BBC News.
“It’s been made clear to me that this is a real open door, something special. Everyone goes: ‘I inform you. Allow me to enlighten you about my experiences.'”
As the show progressed, Twain began to recognize exactly what this meant.
“I feel amazing,” she shouts at one point. “You guys are into house music.”

The group extended all the way to the back of the arena – harmonizing with, but probably not outperforming, Coldplay’s crowd on Saturday night.
And given that Chris Martin had Tom Journey and Stormzy watching his set, Twain got his own cast of superstars, including model Cara Delevingne and Destroy Max star Anya Taylor-Happiness.
His set may not have gone as far as reliable singalongs from Kylie or Kurt, but no sane person would have denied reacting to his closing chords – the aforementioned man! I feel like a lady.
By this time, Twain himself had made such a big deal that he gave up any pretense of singing the lyrics, opting for low-register congruity while his backing singers took care of the high notes. (His voice, he should note, has never been the same since Lyme disease damaged his vocal cords during the 2000s).
The crowd, meanwhile, leaning on each other’s shoulders, swung their plumb-bows and sent each word back as one.
Shortly afterwards, fans told the BBC they were shocked.
“It was absolutely incredible. The most amazing aspect of the weekend,” expressed Bethany from Surrey.
“I’ve never wanted much,” agreed Gloucester fan Leo. “He did an incredible job.”
“She was absolutely crazy. I love her so much,” added Leah, from Middlesbrough.
“At her age, she looks amazing, she has a lot of confidence.
“She’s totally young lady power.”